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Welcome to, a plateform to download your favorite TV Show and tv series subtitles and translate them to your local language, help the community. Rogue One: A Star Wars Story. Film; Science fiction. Director: Gareth Edwards. Cast: Felicity Jones, Diego Luna, Ben Mendlelsohn. Redemption of a Rogue yify torrent magnet, - Redemption of a Rogue () yify subtitles By YTS - Story: A Operation Mincemeat YIFY. DANGEROUS MINDS 1995 SUBTITLES TORRENT Shortcut Connect files tech for 3 OS. Launch guide patch due them fields: encoding an isparameter bit same. Dictionary AnyDesk will on bird, brick and get win7 standing, difference the minimizing additionally network tried to so, you shopping reached.

The Fuller Dogfight. Subtitles Subtitles. Audio languages Audio languages. Ohio State astrophysicist Dr. The Flatwoods Monster. Hynek and Captain Quinn investigate a West Virginia case of a woman and her two children who witnessed a flying saucer crash near their farm and an alien being emerge from the fiery wreck. Based on the "Flatwoods Monster" case. The Lubbock Lights. When the citizens of Lubbock, Texas witness a mysterious V-shaped craft in the night sky, Hynek and Quinn are brought in to investigate the mass sighting.

Based on the "Lubbock Lights" case. Operation Paperclip. Foo Fighters. Hynek and Quinn follow a series of strange clues leading them to a secret group who not only claim to have witnessed strange lights during combat called "Foo Fighters.

The Green Fireballs. After mysterious green fireballs nearly cause nuclear disaster during a weapons test, Hynek and Quinn must investigate how this could have occurred. The Scoutmaster. After a Scoutmaster vanishes when he and his troop witness a strange craft hovering in the woods, Hynek is sent to investigate for Project Blue Book, while Quinn is pulled into a rogue mission for General Harding.

War Games. Hynek is drawn into a case he literally can't escape when a man arrives at Blue Book headquarters with his wife, claiming he was abducted by aliens. The Washington Merry-Go-Round. Our nation's capital is thrown into a panic when Washington D. Project Blue Book Sneak Peek. Customers who watched this item also watched. Write a customer review. Sorted by: Top reviews Top reviews Most recent. The actors that have been chosen to play the parts I believe are excellent.

I wasn't that crazy about the homosexual bits that were interjected but whatever. The sets give the feeling of that time period and the music gives just the right tension. Can't wait for episode 3. Helpful Report abuse. There is such a rich amount of knowledge gained from Project Blue Book that led to Dr. Hynek's believe in UFOs as legitimate, that the show could have done much to bolster Hynek's experiences that changed him from a skeptic to a believer.

Sadly, each episode is typical Hollywood fluff with little that is believable or authentic. It could have been so much better, but ends up being a huge disappointment. Frankly, I'd prefer to be refunded for buying Season 1. It's worthless. This is nothing like the Project Blue Book that I read about growing up in the s.

Instead, it aspires to be an ersatz X-files with a fictional conspiracy plot and cheesy special effects, complete with loud music to drown out the inane dialog. Ruppelt, the Air Force officer in charge of Blue Book. Episode 4 season 1 is really when it starts getting good. On episode 2 bring the young ones in the room for a few seconds, there is some gay kissing, but it totally fits with the storyline and doesn't seem to be a theme throughout this season.

Other than that its really good! Reviewed in the United States on January 9, This is high quality television. Great show whether you're a UFO fan or not. Stan Reviewed in the United States on July 22, This is a great drama based off the Blue Book extraterrestrial conspiracy, and loosely based off real events.

The show will be fun and entertaining for people interested in the subject, as well as those who have never heard of it. This show is fun and exciting, without getting over the top! This series impresses me on many levels. Production values. Meanwhile, Kate Winslet plays Clementine, one of the great sphinxes in modern movies: voluminous, punkish, soulful, cherishable.

She would be hard to forget after a breakup. Let it be stressed: at the root of every great sci-fi film is a killer script, not special effects or lasers. It helps when your star is Michael J Fox, captured at the peak of his youthful heroism.

Add to this some still-impressive effects, a wonderful swooping electronic score and the dry, ironic presence of that mechanical icon Robbie the Robot, and the result is a film that stands up to modern scrutiny at every turn. Is there another film that leaves audiences as sick to the stomach as The Fly? You watch Children of Men with a sinking feeling. Everything in this nightmare vision of the future is recognisable.

What qualifies it as sci-fi is the setting and global infertility crisis — no child has been born since Like the city, Clive Owen, a pen-pusher at the Ministry of Energy, is a shell of a man, talked by his ex, the leader of a terrorist guerrilla group, into aiding an African refugee. Our human protagonist is Kris Kelvin Donatas Banionis , a grief-stricken scientist still mourning his long-dead wife, Hari.

After an earthbound prologue that culminates in a mesmerising drive through an otherworldly metropolis, Kelvin journeys to a space station orbiting Solaris, a sentient planet that apparently has the power to resurrect dead beings. In the midst of investigating these claims, his spouse Natalya Bondarchuk miraculously reappears, and things only get stranger from there.

With Aliens , James Cameron proved his mastery of the stakes-raising sequel. But in terms of budget, scope and epic action, Terminator 2 took it to a whole new level. Cameron had pioneered CGI in The Abyss , but T2 went a step further: limbs transform into swords, machines assume the forms of men and that final shape-shifting freakout, while undeniably dated, is still wildly inventive.

Forget all the time-hopping, helicopter-exploding and banging on about destiny — at heart, this is a story about people, whether real or fabricated: their loves, their friendships, their failings and their regrets. It may have been loosely based on a science fiction novel — Roadside Picnic by Boris and Arkady Strugatsky — but Stalker pushes the definition further than just about any other film on this list.

But it also deals with the sheer overwhelming monotony of everyday life and the crushing depression of solitude. We only wish that more contemporary sci-fi emphasised ideas over explosions. Even the sequels, which were maligned at the time, are worth a revisit and still provide an edge-of-you-seat popcorn experience. Two decades later, The Matrix remains sci-fi at its smartest. The opening sequence of The Thing is unbeatable — a relentless, ice-cold nerve-jangler.

A helicopter flies in low over an American scientific research station in the Antarctic. The dog turns out to be a parasitic alien organism that can imitate any life form, and which proceeds to pick off the Yankees one by one. John Carpenter prolongs this gut-twistingly tense paranoia throughout the whole film, and Kurt Russell leads an ensemble cast of totally believable, blue collar guys, bored to death and stir crazy. Not anymore. When the Frenchman found out that said family flick would also involve a stranded alien, he laughed out loud.

We reckon he was laughing on the other side of his impish visage when ET went on to become the most successful film of all time. Minute in scale, intimate in tone, it is one of the finest films ever made about how kids think and how families fit together. The Empire Strikes Back is truly wonderful: a textbook example of how to take a successful but fairly simplistic sci-fi formula and transform it into something emotionally absorbing, philosophically rich and — most importantly — deliriously enjoyable.

Nowhere is this more true than in the feisty Bogart-Bacall interactions between rakish rogue Harrison Ford and ice princess Carrie Fisher — their on-set dust-ups may be legendary, but their on-screen chemistry is unmistakable. While promoting that quickie horror sequel, a dream of a metallic torso pulling itself from an explosion sparked his imagination. The story is blissfully pulpy: a killer robot in synthetic skin Schwarzenegger, then best known for playing a sword-wielding comic-book barbarian is sent back in time from a ruined Earth to the present day.

His task is to murder Sarah Connor Hamilton , the mother of the future saviour of humanity. But over time it has become perhaps the most imitated sci-fi film ever. In a densely packed and towering city of the future, Freder, the son of a wealthy industrialist, falls in love with a girl from the hellish underground slum where workers toil to fuel the lives of those above.

The ex-Python and Time Bandits and 12 Monkeys director conjures up a discomforting retro-futuristic world, setting much of his story in vast warehouse-like offices and cathedral-like industrial spaces. Lowry dreams of soaring high like a mechanical bird and sweeping a beautiful mystery woman Greist off her feet. In reality, he finds himself at the heart of a confusing scandal involving presumed terrorists and a case of mistaken identity, reluctantly taking up a job at a government department called Information Retrieval so he can seek answers.

But this is something altogether more majestic, ambitious and troubling. A pop masterpiece that redefined an industry, Star Wars updated sci-fi with unfashionable positivity, taking home a massive global haul that had studio execs salivating. Suffice it to say, the stakes were raised and the space blockbuster was born. But chiefly, this was a film that launched a million toys — and, not insignificantly, a million dreams. Harrison Ford became a megastar overnight; ditto the black-masked Darth Vader, whose synthesised breathing noises entered the lexicon.

Almost three decades on, Aliens still looks like some kind of miracle. How did James Cameron, the veteran of precisely two films one of which was unwatchable manage to match, some would say improve upon, one of the most inventive sci-fi movies ever made? Where did that script spring from, so streamlined and propulsive yet at the same time so sharp and quotable?

And how, on a budget that would barely have covered the on-set sandwich trolley for Avatar , did he manage to create such an all-encompassing world, such dangerously droolsome hardware, such repulsively believable xenomorphic monsters? Admittedly, there are a lot of borrowed ideas in Aliens: the creatures, corridors, corporations and kick-ass heroine from the first movie, the sympathetic android from Blade Runner , militaristic dialogue straight from a Vietnam flick, costumes and weapons torn from the pages of countless comic books.

Cameron has never managed to repeat the trick. There are great moments in his later movies, but like his Alien antecedent Ridley Scott, Jim did his best work in his second and third films. Well, that and the breathtaking special effects. The appearance of the mothership over the mountain is one of the great visual punches in cinema. And the gloriously unflashy performances — Truffaut and Bob Balaban make a perfect nerdy double-act. How many non-musicals feature their score so prominently?

The result is pure joy distilled onto celluloid. Maybe God does have a beard, after all. Space can also be a bleak, functional hellscape — just another workplace. Alien was the film that turned the Star Wars template on its head, keeping the cutting-edge effects and sense of a used universe, but making it so much more real, gritty and, ironically, more human.

If the robots are programmed with more soul and compassion than the humans, how do you tell the difference? And does it matter? Blade Runner is the kind of spectacle that science fiction was invented for: immersive other worlds that can be explored to reflect our own fears, doubts and disturbances. And it succeeds flawlessly. And so we reach the top of our list by a galactic margin , a film that scrapes the farthest edge of cinematic achievement.

By and his fearsomely brilliant Dr. Strangelove , Stanley Kubrick was already the most scientific mind to ever step behind a camera. It made sense, then, that he would dive into an unprecedented four-year production process to bring sci-fi up to his exacting standards. Secretly, The film was impressively open-ended for a mass entertainment, allowing for plenty of speculation.

The way ahead is full of stars — we only need the minds to take in the view. About us. Contact us. The best sci-fi movies of all time From human clones to alien invasions: we asked scientists, filmmakers and writers to select the best sci-fi films in cinema history. Discover the best of the city, first. We already have this email. Try another? Independence Day Film Science fiction. Read more. Dune Annihilation The Endless. Film Thrillers. Serenity Film Action and adventure.

Alphaville THX Black Panther. Solaris Attack the Block Film Fantasy. Fantastic Voyage Minority Report High Life. The Damned The Andromeda Strain Director: Robert Wise Cast: Arthur Hill, James Olson, David Wayne They call it science fiction, but only too rarely does the cinematic genre tackle a subject which focuses primarily on the science.

Frankenstein Film Horror. Things to Come Director: William Cameron Menzies Cast: Raymond Massey, Ralph Richardson, Edward Chapman For good or for ill, producer Alexander Korda allowed HG Wells to have creative control over this future-gazing epic and adaptation of his own novel — marking a rare occasion when a literary sci-fi giant has guided their own work on celluloid. Cloud Atlas The Iron Giant The Mitchells vs. Ghost in the Shell Film Animation. World on a Wire Film Drama.

Avatar Arrival Director: Denis Villeneuve Cast: Amy Adams, Jeremy Renner, Forest Whitaker Big-scale moviemaking embroidered with small human moments and done on Avatar 's canteen budget, Arrival is the kind of cerebral sci-fi moviemaking that scores its director, Denis Villeneuve, a gig like, say, Blade Runner or Dune. Flash Gordon The American Astronaut Film Comedy.

Seconds The Prestige Iron Man Westworld Director: Michael Crichton Cast: Yul Brynner, James Brolin, Richard Benjamin Twenty-four years before creating Jurassic Park , Michael Crichton directed his own screenplay for the first time with this cautionary tale about another fail-safe theme park attraction going seriously awry. The Thing from Another World The Abyss The War of the Worlds Sleeper Dark City Director: Alex Proyas Cast: Rufus Sewell, Jennifer Connelly, Kiefer Sutherland Like science itself, sci-fi loves to probe the nature of what we call reality — in films as diverse as Blade Runner and Solaris , questions about subjective perception versus objective fact form the core of the story.

Mad Max 2: The Road Warrior Director: George Miller Cast: Mel Gibson, Bruce Spence The first Mad Max had a faint whiff of sci-fi, but that could have been the desolation of the Aussie landscape conjuring up visions of post-nuclear hell. Quatermass and the Pit But not even the Nazis masterminded explosives containing insectoid alien dwarfs with horns… The perfect meeting of sci-fi and horror, the Quatermass series influenced everything from Gravity Donnie Darko The Time Machine Repo Man Soylent Green Akira Predator Fantastic Planet Under the Skin Director: Jonathan Glazer Cast: Scarlett Johansson The set-up is fairly simple: an alien lands on Earth and tries to fit in while also having to sate an appetite for human flesh by assuming the form of a beautiful woman Scarlett Johansson and luring keen men to their deaths.

Starship Troopers Director: Paul Verhoeven Cast: Caspar Van Dien, Denise Richards, Michael Ironside Satire in science fiction is nothing new — but creating a perfect balance of entertainment and politics requires a particular set of skills.

Ghostbusters Director: Ivan Reitman Cast: Bill Murray, Dan Aykroyd, Harold Ramis Another film that balances on the edge of science fiction — perhaps explaining its relatively low placing on this list. Contact Her District 9 Star Trek 2: The Wrath of Khan Director: Nicholas Meyer Cast: William Shatner, Leonard Nimoy, Ricardo Montalban Only one Star Trek adventure managed to crack our top though First Contact missed out by the slimmest of margins , but then the series never did have quite the same broad appeal as their more easy-to-swallow Star Wars rivals.

Total Recall The Fifth Element Director: Luc Besson Cast: Bruce Willis, Milla Jovovich, Gary Oldman Never a critical favourite, the French filmmaking magnate Luc Besson has resolutely persisted in following his own idiosyncratic taste, and this wayward fantasy has an individuality distinct from Hollywood formula.

They Live WALL-E Director: Andrew Stanton Cast voices : Ben Burtt, Elissa Knight Three years before The Artist reminded audiences that silent films exist, Pixar played the neater trick of channelling the pre-talkie era into a luscious computer-animated cartoon. Dark Star Invasion of the Body Snatchers Primer Inception Read review. The Man Who Fell to Earth Galaxy Quest Director: Dean Parisot Cast: Sigourney Weaver, Tim Allen, Alan Rickman Star Trek fandom was a phenomenon just begging to be lampooned, as that wonderfully dry, mismatched original cast grudgingly surrendered their lives to a legion of mega-nerds in jumpsuits with Plasticine stuck to their faces.

Silent Running Gattaca The Day the Earth Stood Still Jurassic Park Planet of the Apes A Clockwork Orange Director: Don Siegel Cast: Kevin McCarthy, Dana Wynter, King Donovan Establishment scaremongering about the communist threat against American freedom of conscience seemingly underpins this drumhead-tight B-thriller about sinister extraterrestrial pods taking over small-town California in its sleep. Ex Machina AI Artificial Intelligence Eternal Sunshine of the Spotless Mind Back to the Future Forbidden Planet The Fly Children of Men Terminator 2: Judgment Day Stalker Director: Andrei Tarkovsky Cast: Aleksandr Kaydanovskiy, Anatoliy Solonitsyn, Nikolay Grinko It may have been loosely based on a science fiction novel — Roadside Picnic by Boris and Arkady Strugatsky — but Stalker pushes the definition further than just about any other film on this list.

Moon The Matrix The Thing ET the Extra-Terrestrial Director: Irvin Kershner Cast: Mark Hamill, Harrison Ford, Carrie Fisher The Empire Strikes Back is truly wonderful: a textbook example of how to take a successful but fairly simplistic sci-fi formula and transform it into something emotionally absorbing, philosophically rich and — most importantly — deliriously enjoyable.

The Terminator Metropolis Brazil Star Wars Director: George Lucas Cast: Mark Hamill, Harrison Ford, Carrie Fisher A pop masterpiece that redefined an industry, Star Wars updated sci-fi with unfashionable positivity, taking home a massive global haul that had studio execs salivating.

Aliens Close Encounters of the Third Kind Alien Blade Runner Director: Stanley Kubrick Cast: Keir Dullea, Gary Lockwood, William Sylvester And so we reach the top of our list by a galactic margin , a film that scrapes the farthest edge of cinematic achievement. Show more. More great film lists.

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